Words from the world...
Awake and extremely dangerous in Zurich. Middle of the night, musing outranks slumber again. Stream of consciousness begins with ...... Ta Dah ..... (inspired title for a CD by the way, big up Scissor Sisters).
But whatever you do, do not buy this CD on 25th November. In fact DO NOT buy anything on 25th November because it’s ...
Every year, for 24 hours, we remember we were not born to shop, and join International Buy Nothing Day. At least, an interesting phenomenon, at best a test of the consumer led culture we’ve become, thanks to the Church of Immaculate Consumption. I dare you, buy nothing, not a sandwich, not a bus ticket, on Friday 25th November (needs a little preparation beforehand), and you’ll be joining like minded brothers and sisters all over the world in a day of rest.
Inspired hugely by Anna Lempriere’s beautiful link to Juan Mann (http://www.youtube.com/watch?v=4e3Emjk3Zko%20%20), and my location, an idea envelopes me tonight. I'm staying on the banks of the Rhine, and as you look across to the other side of the river, you see Germany, the first village right there in view. A really short stretch. You could throw a stone across to the other side. Wonder what it must have been like to live here 60 years ago and how many people were shot trying to swim it. Makes me think of the borders of all war torn people. Wouldn't it be great if across all the war torn borders in all the world, we could stage a hug, one person from each side, one foot in each territory, bodies joined in a hug. Palestine and Israel, Pakistan and Afghanistan, Armenia and Azerbaijan, the Congo and Uganda, there are enough uneasy neighbours for a couple of dozen great pictures. Wouldn't that be awesome for when we’re teaching and talking about the need to connect with rather than control each other? Bet with the
1. Sophistication of the worldwide web and its tentacles
2. Network of contacts we have in our multi-national rolodex of friends
We could stage a kick ass photo-shoot. This is either a good idea or I need to go to sleep.
Life Writes Itself on Your Face.
I’m at the end of a trip, a long one. I saw two plays in NY. Wrecks, the new Neil La Bute, at the Public. One man play performed by Ed (La Beaut) Harris, beautifully eulogising his dead wife, staggered revelations of an internal monologue woven into his disapproving commentary on ‘the happenstance of life’ and the ‘way the universe likes to play it.’ Customary La Bute twist at the end is always welcome, however expected, and my friend Molly and Alan and I went to Indochine after to drink and think some more. Bumped into the playwright in the SoHo Grand a couple of mornings later and got to thank him personally. Ed’s the right kind of haggard. Connected.
The wrong kind of Haggard is Ted. Two weeks ago he stepped aside as senior pastor of the 14,000-member New Life Church and resigned as president of the National Association of Evangelicals, after a rent boy decided his hypocrisy was too much too bear. The hoisting of Father Ted’s petard was inspired by his consistent, vocal opposition to same sex unions, and after three years of being paid for sex and supplying metamphetamine, Mike Jones decided enough was enough and met the press. Gotta love that the church has ceded the moral high ground to a drug dealing gay hooker. His Sunday morning service the week before began with a prayer that ‘lies would be exposed.’ Be careful what you wish for Ted.
The Vertical Hour is David Hare’s new one, playing on Broadway starring Julianne Moore and Bill Nighy, directed by Sam Mendes. All that bloomin’ talent in one sentence, on one stage. Didn’t work. Hare’s play was surprisingly pedestrian and self important, full of lines that make clever people laugh at how clever they are. (“In America you’re building an empire. We’ve dismantled one.”) I think Julianne’s a fine actress on film, but she was dry and passionless and hard to watch. Can’t believe Sam Mendes let her go out with wet hair. Bill Nighy’s eccentric Englishman felt like an over-affectation at times, but if there was a show there he’d have stolen it. I ended up counting the Nicole Farhi props (all of them) and wardrobe (all of it). The whole thing looked good. Vacant.
Annie Liebovitz and Ron Mueck bring faces to life and death. The Brooklyn Museum’s currently housing both exhibits. Annie’s photos of both Susan Sontag and her father in death are juxtaposed with her own very-un-Demi-Moore pregnant belly (holding her first child, Annie aged 52). Ron’s portrayal of Dead Dad and the Giant Baby make a more gargantuan point. Faces all, naked, exposed, un-masked.
To Atlanta to visit our wonderful US Lawyer, who shows me what it means to be a human being as much as what it means to be a world class lawyer. Every so often she hosts an evening at her home, say for an artist who’s work she loves, I spoke at an evening there a year ago. This week she had a woman called Nan O’Connor, who’s just published a book called ‘A Walk in the Woods’, the story of an incest survivor. Nan must be sixty something now, and she’s a beautiful spirit. Gentle, kind, knowing, strong. She talked to us about the genesis of the book and her hopes for it. There’s no doubt in my mind that she’ll be sitting beside Oprah (another incest survivor) very soon. Walkinthewoods.org is the website, and if you know anyone who could use a walk in the woods with Nan, anyone who needs a compassionate home from which to heal, this is the place. You should know we’ve also made a donation to the website, to fund books for those incest survivors who don’t have the means to pay for them.
Finally, it wasn’t all work. Teddy and I had a blissed out week together, one of the highlights being the Halloween Parade in the village. As we walked back up West Houston to the pool hall where we misspent some of his youth, we passed St. Anthony of Padua Catholic Church. As you know, the Catholics have a saint for every eventuality, and this one is invoked to guard against fires. Many believe he’s helped the village have less than its share. Hanging temporarily over the door of the church is a Peace to the World sign and the way it was framed, and the light of the moon, made me and Teddy stop. Later, in bed that night, when we were toasting our toes and our day, I remembered it. Said ‘wasn’t it a lovely moon tonight’. He agreed, all innocence and high voiced. And I followed through. “It’s never not a lovely moon. I mean there’s never a time you look at the moon and feel disappointed in it, whether it’s a sliver or incandescent, clouded or clear, the moon’s always a marvel isn’t it?”
As are we. Thin sliced or complete, wholehearted or only what we can give that day, we’re always marvels.
Night night.
X


But whatever you do, do not buy this CD on 25th November. In fact DO NOT buy anything on 25th November because it’s ...
Every year, for 24 hours, we remember we were not born to shop, and join International Buy Nothing Day. At least, an interesting phenomenon, at best a test of the consumer led culture we’ve become, thanks to the Church of Immaculate Consumption. I dare you, buy nothing, not a sandwich, not a bus ticket, on Friday 25th November (needs a little preparation beforehand), and you’ll be joining like minded brothers and sisters all over the world in a day of rest.
Inspired hugely by Anna Lempriere’s beautiful link to Juan Mann (http://www.youtube.com/watch?v=4e3Emjk3Zko%20%20), and my location, an idea envelopes me tonight. I'm staying on the banks of the Rhine, and as you look across to the other side of the river, you see Germany, the first village right there in view. A really short stretch. You could throw a stone across to the other side. Wonder what it must have been like to live here 60 years ago and how many people were shot trying to swim it. Makes me think of the borders of all war torn people. Wouldn't it be great if across all the war torn borders in all the world, we could stage a hug, one person from each side, one foot in each territory, bodies joined in a hug. Palestine and Israel, Pakistan and Afghanistan, Armenia and Azerbaijan, the Congo and Uganda, there are enough uneasy neighbours for a couple of dozen great pictures. Wouldn't that be awesome for when we’re teaching and talking about the need to connect with rather than control each other? Bet with the
1. Sophistication of the worldwide web and its tentacles
2. Network of contacts we have in our multi-national rolodex of friends
We could stage a kick ass photo-shoot. This is either a good idea or I need to go to sleep.
Life Writes Itself on Your Face.
I’m at the end of a trip, a long one. I saw two plays in NY. Wrecks, the new Neil La Bute, at the Public. One man play performed by Ed (La Beaut) Harris, beautifully eulogising his dead wife, staggered revelations of an internal monologue woven into his disapproving commentary on ‘the happenstance of life’ and the ‘way the universe likes to play it.’ Customary La Bute twist at the end is always welcome, however expected, and my friend Molly and Alan and I went to Indochine after to drink and think some more. Bumped into the playwright in the SoHo Grand a couple of mornings later and got to thank him personally. Ed’s the right kind of haggard. Connected.
The wrong kind of Haggard is Ted. Two weeks ago he stepped aside as senior pastor of the 14,000-member New Life Church and resigned as president of the National Association of Evangelicals, after a rent boy decided his hypocrisy was too much too bear. The hoisting of Father Ted’s petard was inspired by his consistent, vocal opposition to same sex unions, and after three years of being paid for sex and supplying metamphetamine, Mike Jones decided enough was enough and met the press. Gotta love that the church has ceded the moral high ground to a drug dealing gay hooker. His Sunday morning service the week before began with a prayer that ‘lies would be exposed.’ Be careful what you wish for Ted.
The Vertical Hour is David Hare’s new one, playing on Broadway starring Julianne Moore and Bill Nighy, directed by Sam Mendes. All that bloomin’ talent in one sentence, on one stage. Didn’t work. Hare’s play was surprisingly pedestrian and self important, full of lines that make clever people laugh at how clever they are. (“In America you’re building an empire. We’ve dismantled one.”) I think Julianne’s a fine actress on film, but she was dry and passionless and hard to watch. Can’t believe Sam Mendes let her go out with wet hair. Bill Nighy’s eccentric Englishman felt like an over-affectation at times, but if there was a show there he’d have stolen it. I ended up counting the Nicole Farhi props (all of them) and wardrobe (all of it). The whole thing looked good. Vacant.
Annie Liebovitz and Ron Mueck bring faces to life and death. The Brooklyn Museum’s currently housing both exhibits. Annie’s photos of both Susan Sontag and her father in death are juxtaposed with her own very-un-Demi-Moore pregnant belly (holding her first child, Annie aged 52). Ron’s portrayal of Dead Dad and the Giant Baby make a more gargantuan point. Faces all, naked, exposed, un-masked.
To Atlanta to visit our wonderful US Lawyer, who shows me what it means to be a human being as much as what it means to be a world class lawyer. Every so often she hosts an evening at her home, say for an artist who’s work she loves, I spoke at an evening there a year ago. This week she had a woman called Nan O’Connor, who’s just published a book called ‘A Walk in the Woods’, the story of an incest survivor. Nan must be sixty something now, and she’s a beautiful spirit. Gentle, kind, knowing, strong. She talked to us about the genesis of the book and her hopes for it. There’s no doubt in my mind that she’ll be sitting beside Oprah (another incest survivor) very soon. Walkinthewoods.org is the website, and if you know anyone who could use a walk in the woods with Nan, anyone who needs a compassionate home from which to heal, this is the place. You should know we’ve also made a donation to the website, to fund books for those incest survivors who don’t have the means to pay for them.
Finally, it wasn’t all work. Teddy and I had a blissed out week together, one of the highlights being the Halloween Parade in the village. As we walked back up West Houston to the pool hall where we misspent some of his youth, we passed St. Anthony of Padua Catholic Church. As you know, the Catholics have a saint for every eventuality, and this one is invoked to guard against fires. Many believe he’s helped the village have less than its share. Hanging temporarily over the door of the church is a Peace to the World sign and the way it was framed, and the light of the moon, made me and Teddy stop. Later, in bed that night, when we were toasting our toes and our day, I remembered it. Said ‘wasn’t it a lovely moon tonight’. He agreed, all innocence and high voiced. And I followed through. “It’s never not a lovely moon. I mean there’s never a time you look at the moon and feel disappointed in it, whether it’s a sliver or incandescent, clouded or clear, the moon’s always a marvel isn’t it?”
As are we. Thin sliced or complete, wholehearted or only what we can give that day, we’re always marvels.
Night night.
X



